CHROME Red Exposure 1980

by request

CHROME 3rd from the Sun 1982

by request

END OVER END Scenes from a New World 1986

 

Tracklist ▼

A1		Save
A2		Ever Colour
A3		Proud Dancer
A4		History Lives Here
A5		The Cold War
B1		As Far As The Eye Can See
B2		Holiday
B3		Dasvidanya
B4		Settling On The Stairwell

1970's PUNK BREAKOUT Volume 1

I made this compilation about a year ago of a bunch of 1970's obscure punk bands. Enjoy.

1. THE BANNED Little Girl
2. NEON HEARTS Venus Eccentric
3. NEON HEARTS Regulations
4. TITS Daddy is My Pusher
5. THE DOLL Don't Tango on My Heart
6. COLDCOCK I Wanna Be Rich
7. METAL URBAIN Panik
8. LOCKJAW Radio Call Sign
9. ALGEBRA MOTHERS Strawberry Cheesecake
10. JOHNNY MOPED V.D. Boiler
11. NASAL BOYS Hot Love
12. NASAL BOYS Manifesto
13. NASAL BOYS Jam with Tout la Creme
14. NASAL BOYS This World
15. GOD'S HEART ATTACK Ain't No Hooker
16. ALGEBRA MOTHERS Modern Noise
17. LOCKJAW The Young Ones
18. THE DOLL Trash
19. TITS We're So Glad Elvis is Dead
20. COLDCOCK You're a Mess
21. WALL Uniforms
22. THE ACTION Do the Strangle
23. THE ACTION Downtown Boy
24. PSYCHO SURGEONS Horizontal Action
25. VICTIM I Need You
26. TOOLS Smoke Filled Rooms
27. THE ACTION TV's on the Blink
28. MACHINES True Life
29. VICTIM Why Are Fire Engines Red
30. PSYCHO SURGEONS Wild Weekend

REGULATIONS Electric Guitar

Swedish hardcore

LITTLE JOHN Clarks Booty 1985

biography

[+] by Rovi

b. John McMorris, c.1970, Kingston, Jamaica, West Indies. McMorris first recorded with Captain Sinbad for the Youth In Progress label at the tender age of nine, where his piping interjections contrasted neatly with Sinbad’s gruff style, and throughout the 80s he was seldom out of the reggae charts. Claimed by many to be the first dancehall singer, his ability to fit lyrics over any rhythm or backing track became something of a legend in a business that has scant regard for second takes and ‘dropping in’. Little John did it every time - and he rode on the crest of the 80s’ dancehall music explosion, becoming a superstar by the age of 17. He began his career on Romantic Hi Fi, moving up through Killimanjaro, Gemini and Volcano Hi Power, where he honed and perfected his craft with a lengthy string of live appearances. Simultaneously, he was recording for virtually every producer in Jamaica, notably Henry ‘Junjo’ Lawes, Joseph ‘Joe Joe’ Hookim, George Phang, Jah Thomas and Jammys, and he has released countless records on a bewildering string of labels. He no longer records as extensively as he once did, and limits his live appearances to a minimum. Hits for Exterminator proved that he was not relying on his past glories, and his talent, warm personality and skill as a raconteur remained.

read more

The 222's Montreal Punk '78-'81

Read more on Wikipedia.

The 222s are a Canadian punk band first active from 1977 to 1981. They are most famous for their 1978 single "I Love Suzan".^[1] They reformed in 2010.

SORRY The Way It Is 1986

By request

CHRISTIAN CLUB self titled 2004

Rural Civil Defense TV Spots

D.I. On the Western Front

Biography

by Chris True

Essentially vocalist Casey Royer surrounded by an ever-changing lineup of sidemen, D.I. got its start in Orange County, CA, in 1982. After honing his chops as drummer in the original lineup of Social Distortion, Royer put together D.I. and released their first self-titled EP soon after. A 1984 appearance in the Penelope Spheeris film Suburbia gained the band notoriety, and further credibility was established when ex-Adolescents guitarist Rikk Agnew (also of the original » Read more

MAX ROACH All Africa

Biography

by Richard S. Ginell

In a profession star-crossed by early deaths -- especially the bebop division -- Max Roach was long a shining survivor, one of the last giants from the birth of bebop. He and Kenny Clarke instigated a revolution in jazz drumming that persisted for decades; instead of the swing approach of spelling out the pulse with the bass drum, Roach shifted the emphasis to the ride cymbal. The result was a lighter, far more flexible texture, giving drummers more freedom to explore the possibilities of their drum kits and drop random "bombs" on the snare drum, while allowing bop virtuosos on the front lines to play at faster speeds. To this base, Roach added sterling qualities of his own -- a ferocious drive, the ability to play a solo with a definite storyline, mixing up … » Read more